FINALLY
THIS SERIES IS TREATED WITH THE RESPECT IT DESERVES
IN A DELUXE FIVE DVD PACKAGE
· ·
#1 TOMBS OF THE BLIND DEAD (1971) [above]
director: Amando de Ossorio
starring: Cesar Burner ·
Lone
Fleming ·
Maria
Elena ·
Jose
Telman
The Blind Dead saga begins here as a modern-day tourist trip to the
ruins of the Templar Monastery unleashes a frenzy of lesbian desire,
sexual violence and the unholy onslaught of the eyeless dead.
English Language version plus uncut Spanish version
with English subtitles!
· ·
·
#2
RETURN OF THE EVIL DEAD (1973) [above]
director: Amando de Ossorio
starring: Tony Kendall ·
Luciano Stella · Fernando
Sancho
· Lone
Fleming
On the 500th anniversary of their execution, the blind horsemen rise from
their tombs to kill and torture the town that condemned them.
English Language version plus uncut Spanish version
with English subtitles!
· ·
#3
THE GHOST GALLEON (1975) [above] aka HORROR OF THE ZOMBIES
director:
Amando de Ossorio
starring:
Maria Perschy Jack
Taylor · Barbara Rey
· Carlos
Lemos
This time, a boatload of stranded swimsuit models discover a mysterious
ghost ship carrying the coffins of the satanic Templar eyeless zombies.
English Language version plus uncut Spanish version
with English subtitles!
#4
NIGHT OF THE SEAGULLS (1976) [above]
director:
Amando de Ossorio
starring:
Victor Petit Maria
Kosti · Sandra Mozarowsky
· Julia
James
The final chapter in the "Blind Dead" series deals with a
remote coastal town where frightened villagers sacrifice beautiful virgins
to the blood cult of the Knights Templar.
English
Language version plus uncut Spanish version with English subtitles!
A deluxe
Domestic Release of four Spanish films plus a bonus DVD with the feature
"Amando De Ossorio: Director;" all films in widescreen format,
five DVD package encoded for ALL REGIONS NTSC, playable on any American
machine; each movie is available in either Spanish with English subtitles
or English language dub. Lots of extras.
Graphic
Violence/Adult Situations/Drugs/Nudity/
S&M/Sexual Brutality
Recommended for mature audiences
·
·
·
·
·
·
·
